Third Eye has partnered with leading creative talent since 2014 to shape the future of art, architecture, design, and hospitality through cross-disciplinary campaigns that expand audiences and amplify global cultural impact. From its New York and Los Angeles offices, the agency guides clients through complex cultural and political landscapes while delivering impactful campaigns across museums, fairs, and cultural institutions. Highlights over the past year include promoting Jeffrey Gibson’s exhibition at The Broad, celebrating the Art Students League of New York’s 150th Anniversary, and steering Frieze Los Angeles through the aftermath of devastating wildfires. The agency also supported museum clients such as the Museum of the African Diaspora and the Phillips Collection, advancing programming, funding, and DEI initiatives. Third Eye’s event work continues to elevate client visibility and engagement, including MOCA LA’s annual gala, the Art Production Fund Gala, and The Winter Show’s Opening Night Party. Regionally, the agency expanded with a Dallas-based team member, enabling campaigns for Dallas Contemporary and The Warehouse Foundation. Internationally, Third Eye partnered with arts nonprofit KADIST in Southeast Asia to present exhibitions highlighting the ongoing impact of global and post-colonial cultural histories.
Leadership team:
Justin Conner, Co-Founder
Dan Tanzilli, Co-Founder
Tyler Mahowald, Partner
Darius Sabbaghzadeh, Partner
Notable clients:
Frieze Art Fairs (New York / Los Angeles), The Broad, The Winter Show, The Brant Foundation, The Phillips Collection, Acquavella Galleries, White Cube, L.A. Louver, MOCA LA, The Art Students League of New York, Orange Barrel Media, The New York City AIDS Memorial, Museum of the African Diaspora (MoAD), The Brick (formerly LAXART), The Armory Show, EXPO Chicago, The Cultivist, Capital One, Jessica Silverman Gallery, Art Production Fund, Marciano Art Foundation
New clients:
Dallas Contemporary, The Warehouse Foundation, UOVO: Art, Fashion, Wine, KADIST, National Trust for Historic Preservation, World Monuments Fund, The Rose Art Museum
